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This isn't Fables. But my bet is it's for the same people who like Fables. -- Bill Willingham

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He saw a personal ad asking for him.

Oct. 21st, 2017 12:39 am
thanekos: Yoshikage Kira as Kosaku Kawajiri, after the second arrow. (Default)
[personal profile] thanekos posting in [community profile] scans_daily
He felt ill.

He went home.

He felt worse.

He attacked his wife.

He tied her up first. )

Empire #0

Oct. 20th, 2017 11:24 pm
[personal profile] history79 posting in [community profile] scans_daily



"I reserve the right to change my mind [laughs], but Barry and I have talked about it many times and one thing we like in the world we’ve built is that there is no Justice League waiting in the wings, no Fantastic Four, no Avengers to set the world right. It is not a story of what happens when the villain wins until the heroes wake up, it’s about there not being any more superheroes."

- Mark Waid


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Batwoman #8

Oct. 20th, 2017 03:43 pm
[personal profile] caivu posting in [community profile] scans_daily



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alicemacher: Lisa Winklemeyer from the webcomic Penny and Aggie, c2004-2011 G. Lagacé, T Campbell (Default)
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A repost of one of my Hallowe'en 2014 selections! H.P. Lovecraft's classic 1924 tale of horrific family secrets gets the Richard Corben (writing as, appropriately, "Gore") treatment in the underground comic Skull #5 (Last Gasp, 1972). NSFW warning for gore.

'Is it Edward Norrys' fat face on that fungus thing?' )

Saga, Chapter Forty-Six

Oct. 21st, 2017 12:03 am
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When Pia Guerra and I started Y: The Last Man that was our impulse: Let’s make a comic book for people who don’t yet know that they love comics. I think for a lot of people it’s kind of an intimidating art form to get into. Even if you’ve been reading comics your whole life, you take it for granted sometimes. It’s hard to just open up this page of panels—you don’t know how to read it. With Y: The Last Man we were like, let’s think about it so that if you’ve only ever read Calvin and Hobbes in your daily paper growing up, you will be able to read this comic. And I think with Saga we tried to hone that even more. -- Brian K. Vaughan

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When I was a kid, Superman quite literally saved my life.

I have always been a devotee. Captivated by superhero comics when I was no more than four years old, they became the foundation of my existence. They always buoyed me in times of trouble, but even they couldn't elevate me when I was hitting high school. I was from a broken home, I was incessantly bullied in school, I wasn't handling any of it well, and the darkness of my depression had me -- and I am not exaggerating, forgive me -- suicidally depressed that no one really gave a damn about me and no one ever would.

And in that mood, on a January afternoon in 1979, I went to see Superman: The Movie, and it changed everything. I sat through it twice, full of joy I have rarely experienced since. I knew Superman was a fictional character. I knew Christopher Reeve was an actor. But together, alchemically, magically, they communicated something profound to me: Superman cared. He cared about everyone.

Even me.


-- Mark Waid

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